![]() ![]() From the 1940s, Vedova was in constant contact with the language of the artists promoted by Peggy Guggenheim in Venice, from Jackson Pollock to Franz Kline, and often accompanied their research. They are all works in black and white and of a large format, which after decades of dialogue with figures on the American scene, travel and collaborations with universities from Washington to Philadelphia, reflect the expressive link between the artist and American art. (color).De America cycle by Emilio Vedova, presented in the Magazzino del Sale – where it will be put in motion by the robotic machine designed by Renzo Piano -– consists of 14 paintings on canvas and was produced by the artist between 19. 4.3 (color), 4.11 (overlay of study and painting), 4.15 (cross section of paint sample), 4.16 (macro X-ray fluorescence image), discuss findings from technical analysis. "A New Voice: Genesis of the 1950 Charles Egan Gallery Show." Franz Kline: The Artist's Materials. " In Focus: Meryon 1960–1 by Franz Kline. Brice Marden Sheena Wagstaff in Unfinished: Thoughts Left Visible. Live Form: Women, Ceramics, and Community. Gary Tinterow, Lisa Mintz Messinger, and Nan Rosenthal. Pepe Karmel in Abstract Expressionism and Other Modern Works: The Muriel Kallis Steinberg Newman Collection in The Metropolitan Museum of Art. A Selection: 2005–2006." Metropolitan Museum of Art Bulletin 64 (Fall 2006), p. cat., Castello di Rivoli Museo d'Arte Contemporanea. "Urban Grit." Art in America 83 (April 1995), p. The Turning Point: The Abstract Expressionists and the Transformation of American Art. "Thoroughly Modern Met." Art News 86 (February 1987), p. "The Abstract Expressionists." Metropolitan Museum of Art Bulletin 44 (Winter 1986–87), pp. "Franz Kline: The Man and the Myths." Art News 84 (December 1985), p. God Nijinsky: A Realization for the Theatre Created for "The Diary of Vaslav Nijinsky" in Performance. "Is Chicago Losing Out in the Art War?" New York Times (August 2, 1981), sec. "Modernist Show Moves Met Firmly into Art of 20th Century." New York Times (May 22, 1981), pp. Museum." Chicago Sun-Times (December 11, 1980), p. "Met Is Given a $12 Million Art Collection." New York Times (December 10, 1980), p. "Great Private Collections: A Chicago Visionary." Saturday Review 7 (October 1980), p. History of Modern Art: Painting, Sculpture, Architecture. Kirk Varnedoe in Modern Portraits: The Self and Others an Exhibition Organized by the Department of Art History and Archaeology of Columbia University in the City of New York. "Franz Kline's Romantic Abstraction." Artforum 13 (Summer 1975), ill. American Art of the 20th Century: Painting, Sculpture, Architecture. "The Art of Franz Kline, 1930–1950: Figurative to Mature Abstraction." PhD diss., Indiana University, 1972, p. ![]() American Art Since 1900: A Critical History. "She Lives in an Art Museum." Chicago Tribune (September 13, 1964), sec. "Franz Kline: Painter of His Own Life." Art News 61 (November 1962), pp. "Sign and Surface (Notes on Black and White Painting in New York)." Quadrum 9 (1960), p. "Two Americans in Action: Franz Kline, Mark Rothko." Art News Annual 27 (1958), p. "The Beauty of Black and White." Bokubi 12, no. "Abstract Expressionism and Other Modern Works: The Muriel Kallis Steinberg Newman Collection in The Metropolitan Museum of Art," September 17, 2007–February 3, 2008, extended to March 2, 2008, no. "Franz Kline: Art and the Structure of Identity," December 11–February 5, 1995, no. "Franz Kline: Art and the Structure of Identity," September 27–November 21, 1994, no. Museo Nacional Centro de Arte Reina Sofía. "Franz Kline: Art and the Structure of Identity," July 8–September 11, 1994, no. 1 (lent by Muriel Kallis Newman, Chicago). "Franz Kline: Art and the Structure of Identity," March 18–June 5, 1994, no. "An American Choice: The Muriel Kallis Steinberg Newman Collection," May 21–September 27, 1981, unnumbered cat. "Venice Biennale Prize-Winners 1960," October 15–November 15, 1961, unnumbered cat. "Venice Biennale Prize-Winners 1960," September 1–30, 1961, unnumbered cat. "Venice Biennale Prize-Winners 1960," June 1–August 15, 1961, unnumbered cat. "Venice Biennale Prize-Winners 1960," May 11–June 11, 1961, unnumbered cat. ![]() "Venice Biennale Prize-Winners 1960," February 14–March 4, 1961, unnumbered cat. Quattro Artisti Americani: Guston, Hofmann, Kline, Roszak," June 18–October 16, 1960, no. "Franz Kline," October 16–November 4, 1950, unnum. ![]()
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